Sunday, December 24, 2006

Craft Work Liver Damage



THE SOPRANO bogotanos LUQUE CAROLINA RECEIVES THE THANKS OF THE PUBLIC IN THE TEATRO AMIRA DE LA ROSA

A standing ovation barranquillero Carolina Luque received the Lyric Christmas Concert on Friday, December 22 , 2006
(Photograph published in The Herald)

Saturday, December 23, 2006

I-catcher Console - Web Monito





LIRICO GREAT CHRISTMAS CONCERT BARRANQUILLA

On December 22, 2006, Luque Carolina intervened Soprano soloist at the Teatro "Amira de la Rosa" in the city of Barranquilla, a beautiful Christmas Lyric Concert was applauded by the public. This time, alternating with the tenor Jorge Eduardo Movilla of Espriella and were accompanied by the Philharmonia Orchestra Capital.

This concert was sponsored Promigas, Gases del Caribe, Olympic, Seguros Bolívar, Solar, Hotel Puerta del Sol and Emgesa.

Wednesday, December 20, 2006

Pic Of Myamme In Bikini





RECITAL LIRICO IN THE CONVENTION CENTER "Gonzalo Jimenez de Quesada" DE BOGOTA

In November 2006, the Lyric Soprano Luisa Luque Carolina appeared as soloist in a private concert held in the Convention Center "Gonzalo Jimenez de Quesada ".


Tuesday, August 29, 2006

Jaydip Ghosh, Laboratory Faculty

Night and Day Cole Porter



Cole Porter's name derives from the surnames of his parents, Kate Cole and Sam Porter. Kate's father, James Omar (known as JO), was an influential man in the community and in the early life of Cole. JO had humble beginnings as the son of a shoemaker, but strong work ethic made him the richest man in Indiana. Despite his obsession with making money, he had time to marry Rachel Henton who had several children with him.
Kate Cole was born in 1862, and was the darling of his father during his youth clicking along life, better clothes, better education, and the best training in dance and music. Kate's father waited for her to marry a man strong in personality and potential for a good race. Kate finally married the opposite: a shy druggist in the small town of Peru, Indiana.
The couple were married without the full consent of JO, but he supported financially and subsidized their wedding the couple. JO These grants funded the rest of Sam and Kate's life and that of his son born on June 9, 1891: Cole Porter.


The early
Cole Cole learned piano and violin at age six years and although it had ability to both, hated the harsh sound of the violin and turned their energies to the piano. During his formative years, he played two hours a day, the piano. While Cole practiced, he and his mother parodied popular tunes on the piano to increase Cole's patience with such long practice sessions.
When Cole was fourteen, his mother falsified school records to appear as an exceptionally bright child "for his age." The power JO Cole handled within the town of Peru, Indiana allowed Kate to get a lot of favors to officers in the community. For example, Kate financed orchestras in exchange student Cole to run the violin solos and apparently influenced the crpticas of media. She also sponsored the publication of the first songs of Cole. Cole
composed his first songs in 1901 (when he was ten). One was a song dedicated to his mother. His mother said that one hundred copies were published for the song can be sent to friends and relatives.
He enrolled at Worcester Academy in 1905, where he found an important influence on his musicianship with Dr. Abercrombie. His teacher taught him about the relationship between words and music in the songs.

Years of Yale
Years Porter Yale included many adventures, many musicals, and the forging of relationships that took the rest of his life. Most students knew him early in the songs he wrote, many of which still remains part of the classics at Yale. Probably
Yale during the years of his homosexuality surfaced powerfully. The existing biographies of Cole Porter did not reveal any evidence of his gay sex life until after college.
Perhaps the biggest influences in his musical development were the productions that were developed for the Delta Kappa Epsilon fraternity at Yale. Despite the Ivy League, academic work and social obligations, he wrote several full productions as well as individual songs. Most music bizarre exhibitions was often dealt with the sexual superiority of men of Yale. Porter does not necessarily contributed to the writing of musicals, but marked a strong influence works energetic and witty surrealism that marked all his music.
Cole wrote the music for clubs and student associations that allowed Porter and his friends travel around the country. For these cases the Yale connections were useful when he began his career on Broadway. Yale's ties lasted beyond graduation. His time at Yale left a legacy of about 300 songs, including six full productions. After Yale

Porter tried to study law at Harvard. His grandfather, JO Cole, who paid all his bills, chose men disapproved of artistic careers, and tried to convince Cole to end the legal career so fruitless. Cole began attending Harvard but primary was always done to music (including writing music for his friends from Yale.) With the support of the mother and the ignorance of his grandfather, Cole changed the second year of law school to the school of arts and sciences at Harvard to pursue music, which then left the race to move to New York.

His career
His first Broadway show was See America First in 1916 which was a flop despite the outstanding staff of professionals who had.

In July 1917, went to Europe and settled in Paris, where Cole flourished socially and pretended to be in the best of all possible worlds. He lied to the American press about its military development, and related stories about the Foreign Legion and the French army. This allowed him to live his days and nights as a wealthy American in Paris.
The holidays over the years was detailed and fabulous. While Cole is involved with wealthy individuals and political parties involved in gay and bisexual high activity, which also involved the Italian nobility, international musicians, and an important remnant of recreational drugs.

Cole and Linda
By 1919, Cole spent time with American divorcee Linda Thomas. The two quickly became close friends. Financial status and social position were also ideal candidate for marriage. The fact that the ex-husband was abusive and Cole Linda was very happy that the marriage was agreed not to take to get between them. Linda was always the more buddies Cole nearby, and being married increased their chance of success, Linda Cole allowed to keep the high social status for the rest of his life. They were married on December 19, 1919 and lived a happy friendship, a public largely successful, but a sexless marriage to Linda's death in 1954.

later years
After the early success of the song Do not Fence Me In , which was relaunched during the Second World War with the Hollywood Canteen musical, Cole signed some contracts with industry film. The first movie with a Porter song was The Battle of Paris in 1929, but his two songs for the film did not have a big impact on his career because of the movie as a whole was not very good.
Cole was pleased with many aspects of the Hollywood community, including the liberal gay enclaves in the film industry.
Although opinions differ on the reasons why Linda did not like the Hollywood life, recent research indicates that the primary friction was the sexual escapades public increasingly Cole. At that time was less acceptable to be an eccentric gay artist, and Linda feared for the reputation of Porter and his career. Besides Linda's social position was threatened by Cole activities.

In 1937, Cole has an accident with his horse that causes the fracture of both legs. This prevents you from personal tragedy to Porter maintain its vibrant energy and represents a blow to his life and his ego. He spent several months in the hospital, but their mental and physical health waned. Worse when they amputated one leg. While this did not stop writing music Cole during this period the most popular songs were Most Gentlemen Do not Like Love , and From Now On Get Out Of Town .

In 1945, Porter authorized, but not worked with great enthusiasm for the film Night and Day, dealt with his own life. Although great for his ego and probably hysterically funny for her friends, the movie had a very small real life of Cole Porter. The film omitted important parts of his life, as their youth too pampered and controlled, intentionally happy life, her sexless marriage of convenience, 'the business' of their marriage, and extended the fantastic tales about his exploits and his false war injuries. Porter enjoyed the fiction of his life in the film with the privilege of the super-star Cary Grant represented their version of it.
After this point, he had a major production: Kiss Me Kate based on the Shakespeare classic Taming of the Shrew . Cole was very skeptical of this production, but lent his talents to the production and it was very successful. Then Porter was less successful productions, but wrote the songs for the musical Can Can and Silk Stockings during this period.
Doctors amputated his other leg Cole in 1958 and his creative productivity, social power, and happiness fell permanently.

Cole Porter died on October 15, 1964. According to his wishes, was buried between his wife Linda and his father Sam Porter.
The popularity of their songs lasted much longer than his own legend. Many of his most famous songs were presented to the public only in the context of music or movies alive the essence of Porter.
Other songs that once failed in the context of musical comedies were revitalized and turned into immediate success on the interpretation of Louis Armstrong, Frank Sinatra and Ella Fitzgerald, among others.

During the nineties, ASCAP reported that sales of Night and Day from the musical Gay Divorce was the best selling song of all time. In 1990 the album
Red, Hot, and Blue brought Cole Porter music to many young listeners, as it offered the Porter songs sung by pop artists of the '80s. Porter's songs as Lets Do It (Let's Fall In Love) and Night and Day have a strong presence in many film soundtracks.
In the 2004 film De-Lovely
, rekindled the eternal love of music by Cole Porter because of the staging, first line actors, famous musicians and an excellent marketing campaign, supported a great soundtrack.

The legacy of Cole Porter

  • A Little Rumba Numba
    A Little Skipper From Heaven Above
    Abracadabra
    Ace In The Hole
    All I've Got To Get Now Is My Man
    All Of You
  • Allez-Vous-En, Go Away
    As On Thro The Seasons We Sail
    At Long Last Love
    Begin The Beguine
    Between You And Me
    Boogie Barcarolle
    But In The Morning, No
    Ca, C'est L'amour
    Can Can
    C'est Magnifique
    Cherry Pies Ought To Be You
    Come Along With Me
    Come On In
    Could It Be You
    Do I Love You Because You're Beautiful?
    Down In The Depths (On The Ninetieth Floor)
    Dream Dancing
    Easy To Love (You'd Be So Easy To Love)
    Ev'ry Time We Say Goodbye
    Ev'rything I Love
    Far Away
    Farming
    For No Rhyme Or Reason
    Fresh As A Daisy
    Friendship
    From Alpha To Omega
    From Now On
    From This Moment On
    Get Out Of Town
    Girls
    Give Him The Oo-La-La
    Goodbye, Little Dream, Goodbye
    Hasta Luego
    He's A Right Guy
    Hey, Good Lookin'
    I Always Knew
    I Am In Love
    I Am Loved
    I Concentrate On You
    I Get A Kick Out Of You
    I Happen To Be In Love
    I Hate You, Darling
    I Hate You, Darling
    I Love Paris
    I Love You
    I Love You, Samantha
    If You Loved My Truly
    I'm In Love With A Soldier Boy
    In The Still Of The Night
    Is It The Girl(Or Is It Gown?)
    It Ain't Etiquette
    It's All Right With Me
    It's De-Lovely
    I've Got My Eyes On You
    I've Got You Under My Skin
    I've Still Got My Health
    Just One Of Those Things
    Kate The Great
    Katie Went To Haiti
    Leader Of A Big-Time Band, The
    Les Girls
    Let's Be Buddies
    Let's Do It (Let's Fall In Love)
    Let's Not Talk About Love
    Little One
    Love For Sale
    Make It Another Old Fashioned, Please
    Maria
    Mind If I Make Love To You
    Most Gentlemen Don't Like Love
    Music & Lyrics Porter Vol 1
    My Heart Belongs To Daddy
    My Mother Would Love You
    Night And Day
    No Lover
    Nobody's Chasing Me
    Ours
    Paris Loves Lovers
    Red, Hot And Blue
    Ridin' High
    Rosalie
    Rub Your Lamp
    Satin And Silk
    Siberia
    Silk Stockings
    Sing To Me, Guitar
    So Near And Yet So Far
    Stereophonic Sound
    Swingin' The Jinx Away
    Taking The Steps To Russia
    Tomorrow
    True Love
    Trust Your Destiny To A Star
    Use Your Imagination
    Well, Did You Evah?
    What Is This Thing Called Love?
    What Shall I Do?
    When Love Beckoned (On 52nd Street)
    Where, Oh Where
    Who Wants To Be A Millionaire?
    Why Am I So Gone (About That Gal?)
    Why Should I Care?

    Without Love Would not It Be Fun
    Wow-Ooh-Wolf
    You Do not Remind Me You Never Know

    You'd Be So Nice To Come Home To
    're A Bad Influence On Me You
    ' re
    Sensational You're The Top You've Got Something




Very nice tribute to Judy Garland (Liza Minelli's mother) to the music of Cole Porter for her Oscar Awards 1965.
in the medley are: "Night and Day", "I Get A Kick Out Of You, You're the Top" It's the Lovely "and" My Heart Belong to Daddy "among others Porter classic.
Gene Kelly is the presenter.

Friday, July 21, 2006

Poisoning More Condition_symptoms



LUQUE CAROLINA CANTA EN EL SALON DE COLOMBIA elliptical THE CONGRESS OF NATIONAL INDEPENDENCE DAY

On Thursday, July 20, 2006, soprano Luque Carolina intervened in the Oval Room of the National Congress of the Republic of Colombia, accompanied by the orchestra "Philharmonic Capital", at the invitation that was made by the Board of the Corporation, during the solemn acts of installation regular sessions for the constitutional period 2006-2010. The event, which was transmitted on television, was attended by His Excellency Mr. President, Dr. Alvaro Uribe Velez, all ministers and major domestic and foreign guests.

Friday, June 23, 2006

Herpes Look Like Stomach




NACE the Philharmonia Orchestra CAPITAL

in recent days Edelsa Santana Cuban pianist, soprano and violinist Luque Carolina Herrera Harold, had the process underway to promote the establishment of the Orchestra Capital Philharmonic Orchestra, "composed of distinguished music professionals with extensive experience of art, who have been members of the most important symphonic orchestras and chamber groups in Colombia.

This orchestra offers the following services: 1 .- Concerts classical and popular music. 2 .- zarzuela and opera recitals with a wide variety of selected arias and ballads, with the participation of soprano, mezzo-sopranos, tenors, baritones, basses and choral groups. 3 .- Oratorios for religious ceremonies in nature solemn, such as weddings, first communions, etc.. 4 \u200b\u200b.- induction courses, training and in all instruments. 5 .- Direction of choirs, orchestras and musical groups. 6 .- Vocal Technique workshops for people of different ages. 7 .- illustrated conferences and discussions on the history of music, great speakers and musical genres.

Its basic composition is:

Piano: SANTANA PEREZ EDELSA


Violin I (Concertino): POSADA MARIO TORRES


Violin I :
HERRERA DARLEY-BENTLEY HAROLD

Violin I:
LUZ MERY BERNAL ESPINOSA

Violín II:
NANA NIKOLOVA PETKOVA-LAKIMOVA

Violín II:
SANDRA LILIANA MORENO MORENO

Violín II:
RONALD ANDREI PERILLA FUENTES

Viola:
DAVID LEONARDO CARDENAS USAQUEN

Viola:
JOSE FELICIANO ACUÑA C.

Violonchelo:
CARLOS MANUEL PAZ NARVAEZ

Contrabajo:
ANGEL MAURICIO ACOSTA AVELLANEDA

Además de lo anterior, la Orquesta cuenta con el apoyo de varios cantantes líricos, entre los cuales se destacan los siguientes:

Coloratura Soprano: LUISA CAROLINA
LUQUE VALBUENA

Mezzosoprano: PAOLA DIAZ

Tenor:
AMAYA ROBERTO IGNACIO

TABLE Baritone : SIDNEY
GIOVANNY JIMENEZ MOSCOSO

CONTACT PHONE: 6127051, 6226495
CELL: 3012290706, 3002000307, \u200b\u200b3108737840
EMAIL:
filarmoniacapital@gmail.com

How To Wire A Cd Player



CAROLINA LUQUE in the dressing EL CARMEN
Carolina Luque is presented in the dressing room of the Carmen de Bogotá, accompanied by the Symphony Orchestra conducted by Maestro Marco Antonio Diaz. (June 23, 2006)

Monday, April 10, 2006

Clandestine Source Of Vicodan



THE QUEEN OF THE NIGHT
The top voice of Colombia just 21 years old


By Fernando Araujo Velez
El Espectador, June 13, 2005


She never had any news on the near or distant relative who had been fascinated with the music, beyond his mother, Consuelo Valbuena, an uncle and half entranced by the boleros and rancheras. With he learned his first song, "sang popular topics in meetings, nothing special." Of his mother inherited the passion for singing and that kind of madness to believe that music can live. "She always supported me in my decisions, trusting even in my apparent madness, as having left school at 10 º to devote myself entirely to singing. "

Their memories, their habits, their illusions, the way he talks, the movement of your hands, all for it revolves around music, everything is determined by the song. "My first image, three years, or perhaps, is that of a little girl who goes by his house, while the world, singing and chanting." By then used to bother because he spoke very hard, almost shouting. His father was the only one who defended the attacks and the imminent appointment but always deferred to the ENT. "He repeated quietly let me, if I spoke one day high was because would be an opera singer. "

Don Alberto died when her daughter had just turned five years. With the weight of pain above and the absence, Luque Carolina grew and singing, perhaps with the hidden desire to fulfill his father. Over time, too, got used to the pointing their fingers because it was very serious, a little girl who seemed to know very well what he wanted and not arming tantrums by a broken wrist or a smudge on her dress. "The shots you are showing other ways, I do not know if better or worse but definitely different. Perhaps most significant for some, and others, boring. "

never told the his great-grandfather's brother was one of the first Colombian to bring opera companies in the country. General Joaquin F. Velez spent many years in Rome as ambassador Rafael Núñez to the Holy See. His mission was to intercede with the Pope for the Church to annul the first marriage to Dolores Gallego president. Núñez needed leeway to marry Soledad Román, Velez was their man in Italy. There he learned the secrets of poetry. He fell in love. Before returning set himself the task of promoting the bel canto in Colombia. He did so to the extent that wars and treaties they left. They say that when he lost the elections in 1904 with Rafael Reyes, the first fraud proven electoral history in Colombia, he said, with one of his rare smiles, which from then on would be devoted only to hear the singing.

If Luque Carolina history have been written by Giuseppe Verdi, Gaetano Donizzeti or perhaps the time would come together, and the general and the coloratura soprano had been found one night, "because it is at night when you should sing. The voice comes clearer, fuller, more body. " Verdi would have talked about, "because it is essential if you sing a Verdi opera singer wants to be, beyond which is an immortal." Probably the girl had brought a smile to the general telling myths and legends have always been about the care of the voice. "The first truth is that one should sleep at least 10 hours a day. Then waking up, started singing at two hours. Do it with high heels for the voice out more widely, and never with wet hair, because the cold kills you. "

myths that pass for what you have to take honey or sugar water, or no night life, or not talking concert days. "I talk, talk all the time, possibly because I'm young and abuse, as my teacher." Six years ago, Carolina Luque started taking classes with Manuel Contreras, the first tenor of Colombia. Had inquired about up in the yellow pages looking for the best, until one night Martha Senn recommended it. Then his voice began to emerge. Scales, repetitions, more scales, breathing exercises, scores. "It was a very slow, as it should be." He had earlier studied at the National Conservatory in the Andes and several private teachers. "All studies and trials, it is not." Since

heard, Contreras said she was a coloratura soprano, but that would need to work hard to prove. He explained that there is a coloratura in a million, and are the only ones that can reach higher tones. Years later, an audiologist for musicians confirmed: "Your vocal cords are the finest I've ever seen." An honor, a challenge and, in essence, the confirmation of that old hunch that many years ago had Don Alberto.

Letter Of Inquiry Car Sales

CAROLINA LUQUE, Soprano

LUISA CAROLINA LUQUE VALBUENA , a promising young Classical Singing
This young artist, of Colombian nationality, was born in Bogota, on January 19, 1984.

From an early age, when he was three years initiation began his musical studies at the Academy of Art Frederic Chopin , which were later supplemented with private lessons taught by Luz Marina Mora, Maria Angelica Mallarino and Charito Acuña.

At the age of seven he entered the Conservatory of the Universidad Nacional de Colombia, where he advanced the Pre-Basic Course in Music Theory and Chorus, under the direction of Professor Svignik Sayac.

For four years he studied music and singing at the Universidad de los Andes under the guidance and mentoring of teachers Constanza Vargas and Jairo Serrano.

addition to his vocal studies, received private piano lessons with teachers Mauricio Villa Clara Correa Botero Luz Piedad Solodovnikov Roses and Svetlana.

past few years has been preparing in the Art of Singing in Italian Old School, under the direction of prominent Colombian tenor Manuel Contreras Bello, who has had the opportunity to prepare arias from the operas The Magic Flute, Lucia di Lammermoor, Rigoletto, La Traviata, Don Pasquale, L'Elisir D'Amore, La Sonnambula, I Puritani, The Barber of Seville, and Carmen Lucrecia Borgia.

Additionally, since 2000, received lessons and Interpreting Lyric Repertory with Cuban pianist and repertorist Edelsa Santana.

In June of 2002 participated in the Concert "Selections from The Magic Flute and the Best of World Opera" held in the Auditorium Antonio Nariño of Cundinamarca, playing the characters Queen of the Night (The Magic Flute), Gilda (Rigoletto), Violetta (La Traviata) and Norina (Don Pasquale), alternating with the tenor Manuel Contreras, Sergio Hernandez and Baritone Soprano Diana Cubides, with accompanying of Edelsa Santana.

In September of that year, participated in the "Voices Colombian Lyric Concert" , held at the Teatro Patria of this city, together with the tenor Manuel Contreras Bello and Andres Roldan, baritone and soprano Jaime Mariño Diana Cubides, to the accompaniment of the Russian pianist Svetlana Solodovnikov.

In March 2005, acted as a lyrical soloist in the concert held in the Auditorium Theatre Leonardus of the city of Bogotá, with the accompaniment of Russian Irina repertorist Viritch.

sporadically as a singer has participated in various religious ceremonies solemn character.

currently continuing its preparations in the techniques of this fascinating opera.

Tuesday, February 7, 2006

Who Does Myamme Hair Weave






born trumpeter in 1911 and died in 1989, David (Little Jazz) Eldridge is one of the most important soloists of jazz history. Technical or fantastic, very inventive, with much fire and very emotional, is the bridge between Louis Armstrong and Dizzy Gillespie, Louis learned from and influenced significantly to Dizzy.
Eldridge began playing drums and then received his first trumpet lessons from his older brother Joe. In the beginning was riding with Horace Henderson's Dixie Stompers (1928), then worked with Cecil Scott, Charlie Johnson (1929-1930), Teddy Hill (1933), Mc Kinney's Cotton Pickers in 1934 required it, and in 1935 received the push to act with Fletcher Henderson. His performance
lasted until 1937. With the band were his successes horn solo (Christopher Columbus, Blue Lou, Stealin Apples). Was the catalyst for some of the best recordings made by small groups: Gene Krupa, Benny Goodman, Teddy Wilson and Billie Holiday accompanying; simultaneously had a set in the "Three Deuces" of Chicago, which also wore his brother Joe alto sax. Joe was also a great violinsta. With the band toured the U.S. in mid-1938.
music momentarily to study radio engineering, but soon returned to music and recorded with Chu Berry for the Commodore label, and in January the following year carried the New York dance hall 'Arcadia', the best band that has had the location. He was fully and as many trumpeters followed their path, including Gillespie, Roy's ballads were warm and emotional, this is what caught the young trumpeter.

At 40, Gene Krupa calls for his band, their success is huge also as the vocalist, Anita O'Day, who also started the band, Let Me Off Uptown, Little Jazz, Rockin Chair and After You ' Gone were seen some success. Artie Shaw
required in 1944-1945, then Roy is a great band and recorded for Decca.

In 49 returns with Krupa. In 50 signing with Norman Granz, for their training, "Jazz at the Philharmonic" and begin touring around the world.
Throughout his career he recorded with top jazz musicians: Ben Webster, Lester Young, Dizzy Gillespie, Buddie Tate, Count Basie, Johnny Hodges, Oscar Peterson , and many other high level.

visited Argentina twice. In May 1960, accompanying Ella Fitzgerald, and in July 1961 with Coleman Hawkins, Tommy Flanagan, Jo Jones, among others.
was an exceptional musician and a operator, well respected and loved by all musicians.




promotional clip 1961 in which Eldridge Roy accompanied Coleman Hawkins on tenor sax, Johnny Guarnieri on piano, Barry Gailbraith guitar, Milt Hinton on bass and Cozy Cole on drums great run "Sunday."

Chemehuevi Indian Tribe 1934

a Frenchman transplanted to Latin Jazz



The French pianist Michel Petrucciani died on January 5, 1999 in New York because of a lung infection. At 36 years was considered one of the greatest pianists in Europe. The suffering serious bone disease was not an obstacle in his interest in music, despite failing to reach the meter in height, sitting at the piano became a giant. Equipped with extreme virtuosity, intimate and romantic style, which started from the Bill Evans school of which he was an ardent admirer, combined with the lyrical intelligence and subtlety with a powerful attack and percussive.

was born in Orange on December 28, 1962. Studied classical piano and at age 12 with his father serving on guitar and his brother Louis on bass. His enormous talent makes it stand out from a young age and at 17 he recorded his first album. The following year he started with a trio of emergency with Jean-François Jenny-Clark and Aldo Romano a series of superb recordings for the French label Owl.

In 1982 he moved to California and became the pianist of the group of saxophonist Charles Lloyd when he returns to the scene after a long retirement. It also acts as a duet with Lee Konitz. Although still recording in France, his stays in New York foster their first American records, until in 1985 he started his Blue Note period with "piano playing", a recording in a trio with Palle Danielson and Elliot Zigmund. The following year in Montreux acts in a trio with Wayne Shorter and Jim Hall, a meeting that is published under the title "Power of Three." In later works - "Music", "Playground" - is about the formulas of electric fusion products in which diluted its best virtues. His last album for Blue Note is a single in tribute to Ellington, one of his favorite composers.

back in 1994 to record for a French company, Dreyfus, with "Marvellous", a trio with the superb support of Dave Holland and Tony Williams and the surprising addition of a string quartet. His absorbing personality made him prefer smaller formations, and in recent years one of the most successful was his unusual encounter a duo with organist Eddy Louiss, embodied in the two volumes of "Conference de Presse." But above all turns in the solo, which was a true master. The double CD set out on performances in Paris, "Au Teathre Des Champs-Elysees" is probably the peak of his recording career.

In 1997 a new twist to form a group wider, a sextet in which two young members of the current revelations of Italian neo-bop: Stefano Di Battista and Flavio Boltro, with whom he recorded "Both Worlds". Barely a couple of months back he had acted alone in our country in several of the festivals of the Autumn, once again captivate their stylistic range.



An extraordinary version of Michel Petrucciani with guitarist Jim Hall's classic "My Funny Valentine."